{"id":581,"date":"2014-07-31T04:45:13","date_gmt":"2014-07-31T04:45:13","guid":{"rendered":"http:\/\/rayonvert.ca\/es\/?page_id=581"},"modified":"2017-07-24T00:57:24","modified_gmt":"2017-07-24T00:57:24","slug":"news","status":"publish","type":"page","link":"https:\/\/rayonvert.ca\/en\/news\/","title":{"rendered":"News"},"content":{"rendered":"
Everything Passes: An Interview with Lina Rodriguez<\/a><\/div>\n
Kinoscope<\/a> | January 25, 2017<\/div>\n
\n Interested in the negative space of our lives that make up most of our time, Rodriguez finds intrigue and insight in what may first seem like the mundane, and in doing so uncovers the humanity of her characters.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Is Trauma Lived in Solitude?\u201d The Filmmakers of Neighboring Scenes at the FSLC<\/a><\/div>\n
Brooklyn Magazine<\/a> | January 23, 2017<\/div>\n
\nMy feature films do not conform to certain colonialist expectations, i.e. that Colombia should be exotic, poor or underdeveloped… I hope that the international funding system and film festival and distribution circuits open up to accept a more diverse range of films from the Global South.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Passing clouds (in Spanish)<\/a><\/div>\n
Otros Cines Europa<\/a> | January 7, 2017<\/div>\n
\nAlthough, if we enter the game of references, the name that claims the most attention is the Japanese Yasujir\u014d Ozu. In tune with the work of the director of Late Spring, This Time Tomorrow transforms the territory of the domestic into a privileged setting for the definition of the emotional and existential fate of the characters, who find in that intimacy a space of expressive freedom.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Melancholy and present in the cinema of Lina Rodr\u00edguez (in Spanish)<\/a><\/div>\n
Tabakalera<\/a> | January 3, 2017<\/div>\n
\nLina Rodr\u00edguez (Colombia, 1980) tells us that if she had to choose an image from which her film This Time Tomorrow emerged it would be the image of a tree: its leaves, the light, the branches, the sky in the background … If she had to chose a feeling it would be melancholy: happiness and sadness at the same time, the inevitability of the passing of time.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Balance 2016: Our Top 30 of latinamerican cinema (in Spanish)<\/a><\/div>\n
Otros Cines Europa<\/a> | December 19, 2016<\/div>\n
\nMa\u00f1ana a esta hora selected as one of the Top 30 latinamerican films in 2016.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Praise of diversity and risk (in Spanish) <\/a><\/div>\n
P\u00e1gina12<\/a> | November 21, 2016<\/div>\n
\nRodr\u00edguez achieves a great level of intimacy.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Festival de Mar del Plata: Latinoamericanan Competition (9 reviews) (in Spanish)<\/a><\/div>\n
Micropsia<\/a> | November 17, 2016<\/div>\n
\nThe Colombian filmmaker based in Canada demonstrates once again, with her second film, that she has one of the most personal and distinguishable poetic approaches, not only in Colombia but in Latin American cinema.<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
31\u00b0 MDQ Film Fest: \u201cMa\u00f1ana a esta hora\u201d de Lina Rodr\u00edguez (2016) (In Spanish) <\/a><\/div>\n
Revista Toma 5<\/a> | November 24, 2016<\/div>\n
\nLittle moments of daily life and great transcendental moments, coexist in harmony in this beautiful fresco painted by Lina Rodriguez.<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Ma\u00f1ana a esta hora (Lina Rodr\u00edguez) (in Spanish)<\/a><\/div>\n
Cine maldito<\/a> | August 19, 2016<\/div>\n
\nAn austere work, which enjoys a unique naturalness, with a masterful interpretation that immerses you in the deepest of family relationships.<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Lina Rodr\u00edguez premieres new film at Locarno (in Spanish)<\/a><\/div>\n
El Tiempo <\/a> | August 3, 2016<\/div>\n
\n“I organize a series of exercises so they can create their characters independently from me. The actors meet on their own to get to know each other or to share activities. For example, Osma and Zaldua went to the movies together as if they were really father and daughter “, explained Rodriguez.<\/p>\n
\n Read More<\/a>\n<\/div>\n
\n
Variety Film Review: \u2018This Time Tomorrow\u2019<\/a><\/div>\n
Variety <\/a> | August 3, 2016<\/div>\n
\nColombian-Canadian director Lina Rodriguez magnifies the minutiae of family life in her keenly observed sophomore feature.
\n“(The) fragile changeability of family life is beautifully and painfully captured”<\/p>\n
\n Read More<\/a>\n<\/div>\n
\n
Review of Ma\u00f1ana a esta hora, by Lina Rodr\u00edguez (Cineasti del Presente) (In Spanish)<\/a><\/div>\n
Otros Cines Europa<\/a> | August 5, 2016<\/div>\n
\nOne of the directors ot follow in Latin America.<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Jonas Mekas to Maud Alpi to Lina Rodriguez to J\u00falio Bressane \u2013 highlights from the Swiss film festival<\/a><\/div>\n
Frieze<\/a> | August 11, 2016<\/div>\n
\nAs in a Chekhov play, Rodriguez enthuses trivial moments with unexpected poignancy.<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Ma\u00f1ana a esta hora Concorso Cineasti del presente<\/a><\/div>\n
Locarno Festival<\/a> | August 5, 2016<\/div>\n
\nLina Rodriguez\u2019s writing is very precise in never giving way to pathos; she strings together scenes that serve as many antidotes to the explosion of grief, up to the last image.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Capturing the Ephemeral in Ma\u00f1ana a esta hora: An Interview with Lina Rodriguez<\/a><\/div>\n
Film International | August 5, 2016<\/div>\n
\nMa\u00f1ana a esta hora<\/i> is very much a film about a sense of the personal spaces of the characters, and about how the fleeting present inhabits these spaces and turns them into memories almost instantly.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
MA\u00d1ANA A ESTA HORA (Lina Rodr\u00edguez, 2016) (In Spanish) <\/a><\/div>\n
Nos hacemos un cine<\/a> | August 11, 2016<\/div>\n
\nFar from imposed dramatism or from structures that tend to soften hearts prone to immediate emotional empathy based on cheap blows. Honest, simple and direct, the offer from the Colombian director is precise.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
2016 Locarno Film Festival Announces Full Lineup<\/a><\/div>\n
IndieWire<\/a> | July 13, 2016<\/div>\n
\n The Filmmakers of the Present section features 13 world premieres, including \u201cThis Time Tomorrow,\u201d the sophomore effort from Colombian-Canadian filmmaker Lina Rodriguez.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Canadian films to screen at Locarno<\/a><\/div>\n
Playback<\/a> | July 13, 2016<\/div>\n
\n Locarno\u2019s Filmmakers of the Present section will feature the world premiere of Ma\u00f1ana a Esta Hora (This Time Tomorrow) from Colombian\/Canadian filmmaker Lina Rodriguez.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
The ‘Se\u00f1oritas’ breakdown (in Spanish)<\/a><\/div>\n
El Espectador<\/a> | October 9, 2014<\/div>\n
With a subtle and daring language, Lina Rodriguez brings her first feature film to Cine Tonal\u00e1’s cinemas.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Behind the Lens of Se\u00f1oritas: An Interview with Lina Rodriguez
\n<\/a><\/div>\n
Film International<\/a> | October 2, 2014<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
A Take on \u201cSe\u00f1oritas\u201d<\/a><\/div>\n
Medium<\/a> | August 28, 2014<\/div>\n
The film itself is a personal search, and avoids taking the easy way out by showing what has become popularly defined as \u201csexy.\u201d\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Senoritas: Lina Rodriguez turns focus to Colombia<\/a><\/div>\n
The Globe and Mail<\/a> | August 22, 2016<\/div>\n
Partly inspired by the work of John Cassavetes, it\u2019s as much an intriguing cin\u00e9ma-v\u00e9rit\u00e9 social study as a coming-of-age drama.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Lina Rodriguez\u2019s Se\u00f1oritas<\/a><\/div>\n
The Seventh Art | August 22, 2014<\/div>\n
Told in episodic, often single-shot scenes, Alejandra\u2019s experiences are less a causal chain than an almost atemporal assortment of variations on a theme.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Se\u00f1oritas. Daring debut<\/a><\/div>\n
NOW Magazine<\/a> | August 21, 2014<\/div>\n
With tight framing and disorienting rhythms, Rodriguez and her talented star infuse every scene with a naturalistic intensity and a whiff of mystery.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
The rhythm of my life: Lina Rodriguez\u2019s Se\u00f1oritas<\/a><\/div>\n
Toronto Film Critics Association<\/a> | August 21, 2014<\/div>\n
In Se\u00f1oritas, the shape of Alejandra\u2019s life is found in the juxtaposition of moments (in one scene, she masturbates midday; in the next, she\u2019s cutting melons in the kitchen with her mother). Call it portraiture through accumulated exposure.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Lina Rodriguez speaks about her experimental film background and debut feature \u2018Se\u00f1oritas\u2019<\/a><\/div>\n
<\/a>Way Too Indie | August 21, 2014<\/div>\n
Rodriguez\u2019s personal connection to her film shines through, and her skills behind the camera establish her as someone to watch in the coming years.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
THE BLACK SHEEP INTERVIEW: LINA RODRIGUEZ (SENORITAS)<\/a><\/div>\n
BLACK SHEEP REVIEWS<\/a> | August 21, 2014<\/div>\n
This is exactly what makes SENORITAS so mesmerizing and this is why Rodriguez will be a filmmaker to watch for as her career progress in the years to come.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Senoritas Review<\/a><\/div>\n
Dork Shelf<\/a> | August 21, 2014<\/div>\n
In many ways, Rodriguez\u2019s work feels like an interesting counterpoint to Richard Linklater\u2019s Boyhood, a film that also finds depth and meaning in sometimes fleeting and seemingly insignificant moments.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Rep Cinema This Week: Se\u00f1oritas, Double Play: James Benning and Richard Linklater, and Wellness<\/a><\/div>\n
Torontoist<\/a> | August 18, 2014<\/div>\n
An untraditional coming-of-age story that focuses on its protagonist\u2019s rich sensory experience of the world more than on any transformative personal development.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Risky Business in Bogot\u00e1: Lina Rodriguez on Se\u00f1oritas<\/a><\/div>\n
Toronto Film Scene<\/a> | August 11, 2014<\/div>\n
\n The first film from Canadian director Lina Rodriguez\u2014is not a film propelled by story. It\u2019s one that takes the temperature of what it\u2019s like to be a teenage girl growing up in a thriving city (in this case, Bogot\u00e1, Colombia) and navigating her own road.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Colombian film \u201cSe\u00f1oritas\u201d gets ready for its release in Toronto (in Spanish)<\/a><\/div>\n
El Espectador<\/a> | August 4, 2014<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Se\u00f1oritas. Drifts of a simple life by Sebasti\u00e1n Wiedemann (in Spanish)<\/a><\/div>\n
Hambre<\/a> | July 2014<\/div>\n
\n Amongst fragments of the everyday, situations are consumed within themselves, surviving long enough, so that a face can also survive on the surface of the image. A face that is the single anchor of and for the image, as we must remember that trying to find something behind a face, is the same as trying to find something behind a frame. Bergman has already showed us the consequences of this quest in Persona, when the images of the face and of the celluloid start burning.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Interviews with LINA RODRIGUEZ & Actress CLARA MONROY about Se\u00f1oritas<\/a><\/div>\n
Katie Chats<\/a> | July 14, 2014<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
The top 10 film events in Toronto for summer 2014<\/a><\/div>\n
BlogTO<\/a> | July 3, 2014<\/div>\n
\n This is one of the more exciting debuts on the radar, as the short, avant-garde works I\u2019ve seen by Rodriguez are truly stellar.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Se\u00f1oritas in Madrid, Spain (in Spanish)<\/a><\/div>\n
SGAE<\/a> <\/div>\n
\n Se\u00f1oritas screens on Tuesday April 22 and Thursday April 24, 2013 as part of the series, Latinamerican Women Directors, organized by Fundaci\u00f3n SGAE at the Sala Berlanga.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Lina Rodr\u00edguez: The film I wanted to make (in Spanish)<\/a><\/div>\n
<\/div>\n
\n The colombian filmmaker talks about her film Se\u00f1oritas, in competition in the Opera Prima category at the 35th Festival Internacional del Nuevo Cine Latinoamericano (La Habana, Cuba)<\/p>\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Se\u00f1oritas in Havana, Cuba (in Spanish)<\/a><\/div>\n
<\/div>\n
\n Se\u00f1oritas screens in the Opera Prima section at International Festival of New Latin American Cinema 2013 (Havana, Cuba)\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Se\u00f1oritas screens in the Panorama Section at the Trinidad+Tobago Film Festival 2013<\/a><\/div>\n
<\/div>\n

<\/p>\n

\n Read More<\/a>\n<\/div>\n
\n
Interview: Lina Rodriguez, “Se\u00f1oritas”<\/a><\/div>\n
Film Society of Lincoln Center<\/a> | July 14, 2013<\/div>\n
\n Here are her thoughts on her first feature film, casting her own mother, and Lena Dunham\u2019s Girls.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Se\u00f1oritas, one of the 5 must-see films at Latin Beat by Indiewire<\/a><\/div>\n
IndieWire<\/a> | July 9, 2013<\/div>\n
\n This Colombian\/Canadian feature is less about \u201cgirls\u201d plural and more about one girl.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
The Slow Rise of Colombia\u2019s Film Scene<\/a><\/div>\n
IndieWire<\/a> | March 1, 2013<\/div>\n
\n Lina\u2019s film is important for a bourgeoning industry like ours,\u201d said Orlando Mora, FICCI\u2019s chief programmer. \u201cThere\u2019s been a recent tendency in Colombia cinema to see inflating budgets, and it\u2019s very hard to recoup the investment made in those films. A film like Se\u00f1oritas shows us a different approach to filmmaking in both an aesthetic and commercial level.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Contrasts, nuances and chiaroscuros from the Official Competition (In Spanish)<\/a><\/div>\n
<\/div>\n
\n With some experimentation reminiscent of the best of Gus Van Sant and the cinema of John Cassavetes, (Se\u00f1oritas) describes the intimate experiences of Alejandra, a young colombian woman, and her relationships with her overprotective but amusing mother, with her friends and her occasional partners.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Cartagena Film Festival 2013: close encounters (In Spanish)<\/a><\/div>\n
Micropsia<\/a> | February 28, 2013<\/div>\n
\n An urban, current film, and extremely indie version of those worlds we see in series such as GIRLS, or in some independent American cinema, SE\u00d1ORITAS is an extraordinary film that surprises.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Lina Rodriguez and Brad Deane, Senoritas<\/a><\/div>\n
Screen Daily<\/a> | February 25, 2013<\/div>\n
\n The carefully crafted film certainly feels like something completely new in Colombian cinema.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
The Se\u00f1oritas\u2019 reality – page 4 (In Spanish)<\/a><\/div>\n
Diario FICCI<\/a> | February 25, 2013<\/div>\n
With audacity, Lina Rodriguez focuses on her characters.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n
Longue dur\u00e9e: The Images Festival at 25<\/a><\/div>\n
Cinema Scope<\/a> | February 5, 2013<\/div>\n
\n In Lina Rodriguez\u2019s Protocol, a swift, 75-second exercise in a historical-materialist vein, the fluttering shadow of a flag against the monumental walls of the Castillo de San Felipe de Barajas in Cartagena comes to signify the absence of that power which the structure was built to consecrate.\n<\/div>\n
\n Read More<\/a>\n<\/div>\n
\n","protected":false},"excerpt":{"rendered":"

Everything Passes: An Interview with Lina Rodriguez Kinoscope | January 25, 2017 Interested in the negative space of our lives that make up most of our time, Rodriguez finds intrigue and insight in what may first seem like the mundane, and in doing so uncovers the humanity of her characters. Read More Is Trauma Lived […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"footnotes":""},"class_list":["post-581","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/rayonvert.ca\/en\/wp-json\/wp\/v2\/pages\/581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rayonvert.ca\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rayonvert.ca\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rayonvert.ca\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rayonvert.ca\/en\/wp-json\/wp\/v2\/comments?post=581"}],"version-history":[{"count":0,"href":"https:\/\/rayonvert.ca\/en\/wp-json\/wp\/v2\/pages\/581\/revisions"}],"wp:attachment":[{"href":"https:\/\/rayonvert.ca\/en\/wp-json\/wp\/v2\/media?parent=581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}